CELEBRATE MUSIC
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Atwood Magazine’s Weekly Roundup: March 22, 2019
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Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’
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Interview: The Self-Actualization Behind Bad Suns’ New Album ‘Mystic Truth’
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Basking in James Bay’s Electric Light
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Feature: Betty Who Is Feeling Like the Old ‘Betty’
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Feature: The Pressure Kids Let Loose in Raw, Radiant Debut EP
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Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus
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Review: Kevin Garrett Enchants with Memorable & Affecting Debut ‘Hoax’
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Premiere: Bre Kennedy Unleashes “Slippin” with High Energy & Resolve
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Review: American Football Lay Their Emo Mythology to Rest with LP3
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Premiere: Ivory Layne’s Stunning “Heaven” Is an Intimate Prayer for Strength
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Our Take: Stella Donnelly Channels Ferocity & Charm with Debut ‘Beware of the Dogs’
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Tunes & Tumblers: Alchemy 101 with Maggie Rogers
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Interview: Wallows Leave Behind Their Innocence without Losing Themselves
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Weekly Roundup
our new music playlist, updated every Friday!DIGGING DEEPER
Atwood Outline
stay up to date with our newsletter!INTERVIEWS
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ECLECTIC, GROOVY, RETRO, AND CURRENT WITH PARCELS
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ON UFOS AND TRUSTING YOUR INSTINCT WITH MALLRAT
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FEELING BETTER, TOGETHER, WITH GNASH
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FIDLAR’S ZAC CARPER VENTURES INTO UNCHARTED TERRITORY
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‘MINT’, MELODY, AND MEANING WITH ALICE MERTON
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LAUREN AQUILINA’S KILLER INSTINCT IGNITES
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MORE INTERVIEWS
Features
Exclusives
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BREAKING THE CYCLE OF ABUSE WITH SOPHIA DANAI’S “DAUGHTER”
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“THE GROUND,” LIKE SWIMMING’S EMOTIONAL EXPLANATION OF WHITE PRIVILEGE
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KOPPS AND THE UNATTAINABLE PRESENCE FROM OUR “VIRTUAL REALITY”
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INTRODUCING “THE WILD & THE UNTAMED” FOLK TROUBADOUR IAN GEORGE
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HEARTBREAK & LONGING IN DANCING ON TABLES’ BREAKUP BALLAD “BLACK”
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PRESSURE & SACRIFICE IN GEORGIA MEEK’S PASSIONATE ANTHEM “PRAY”
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COPING WITH GRIEF IN EXES & JOME’S POIGNANT “STAY STILL”
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DISCOVERY & TRANSFORMATION IN WYLAND’S CINEMATIC “NOWHERE NOW” VIDEO
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MARGOT’S DRIVING “COFFEE STAINED SCARS” EVOKES ISOLATION, DISCONNECT, & ALONE TIME
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MORE MUSIC PREMIERES!
Notable Debuts
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THE STIRRING VULNERABILITY OF GABRIELLA ROSE’S INTIMATE ‘LOST IN TRANSLATION’
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SPIELBERGS’ ‘THIS IS NOT THE END’ IS THE ALBUM YOU’VE BEEN WAITING FOR
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MAGGIE ROGERS’ ‘HEARD IT IN A PAST LIFE’: A TRACK-BY-TRACK REVIEW
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KYAN PALMER & NICOPOP.’S “UNOFFICIAL LOVER” FT. YUNG LAMBY
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LOOKING FOR LUCAS DEBUT ‘HIGH WIRE’ EP WITH RAW ROCK & BRITPOP PASSION
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BRIGETTA’S INFECTIOUS INDIE POP ANTHEM “SICK”
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MORE MUSIC DEBUTS!
Our Take
Album Reviews
March 22, 2019
Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus
By Danny Vagnoni
March 21, 2019
Our Take: Stella Donnelly Channels Ferocity & Charm with Debut ‘Beware of the Dogs’
By Adrian Vargas
March 21, 2019
Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’
By Mitch MoskEDITOR'S PICKS
New music discoveries curated by Editor-in-Chief Mitch Mosk
Staff Favorites
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GLASS ANIMALS AND THE MEANING OF "LIFE ITSELF"
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REVIVING INNOCENT MEMORIES WITHIN AMY SHARK’S “ADORE”
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LYRICS, MELODY, AND MEANING: A CONVERSATION WITH OH WONDER
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A LESSON TAUGHT AND LEARNED IN LUKAS GRAHAM’S “7 YEARS”
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EVERYBODY WANTS THE STRUTS (AND YOU CAN TOO!)
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THE EVOCATIVE AWARENESS OF THE NEIGHBOURHOOD’S “WIPED OUT!”
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RADIOHEAD’S “DAYDREAMING” TWISTS THE ORDINARY INTO EXTRAORDINARY
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THIS OVERWHELMING, CINEMATIC, FRAGILE, WILD WORLD: A CONVERSATION WITH BASTILLE
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