CELEBRATE MUSIC
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This Just In: Of Monsters and Men’s Fierce Fever Dream “Alligator”
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Illusion, Reality, and Young the Giant’s ‘Mirror Master’ Philosophy
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Feature: Bear’s Den Shine a Light on Grief in ‘So that you might hear me’
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Atwood Magazine’s Weekly Roundup: April 26, 2019
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It’s Tough Out Here for a Rock Star: A Conversation with Kelsy Karter
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Feature: The Spiritual Release of Alexz Johnson’s Fresh, Raw “Weight”
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Atwood Magazine’s Weekly Roundup: May 24, 2019
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Interview: Broken Back’s Dire “Wake Up” Call Sparks Life Anew
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Our Take: Freedom Reigns in The Royal Concept’s Triumphant ‘The Man Without Qualities’
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Trudy and the Romance Provide Jukebox Jams for the 21st Century with Debut Album ‘Sandman’
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Today’s Song: IRAH Draw From a Mystical Lexicon of Their Own Making in “Siu Hinama”
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The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review
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Runnin’ Towards the Light: A Conversation with Dan Campbell
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Premiere: Her Crooked Heart’s Beautifully Sweet “Young Love Is Like Nothing”
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Premiere: Breathe in the Fresh Air with Night Market’s “White Seasons”
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Today’s Song: The Calming Tranquility of Estes’ Cathartic “Amen”
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Weekly Roundup
our new music playlist, updated every Friday!DIGGING DEEPER
Atwood Outline
stay up to date with our newsletter!INTERVIEWS
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ECLECTIC, GROOVY, RETRO, AND CURRENT WITH PARCELS
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ON UFOS AND TRUSTING YOUR INSTINCT WITH MALLRAT
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FEELING BETTER, TOGETHER, WITH GNASH
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FIDLAR’S ZAC CARPER VENTURES INTO UNCHARTED TERRITORY
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‘MINT’, MELODY, AND MEANING WITH ALICE MERTON
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LAUREN AQUILINA’S KILLER INSTINCT IGNITES
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MORE INTERVIEWS
Features
Exclusives
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BREAKING THE CYCLE OF ABUSE WITH SOPHIA DANAI’S “DAUGHTER”
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“THE GROUND,” LIKE SWIMMING’S EMOTIONAL EXPLANATION OF WHITE PRIVILEGE
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KOPPS AND THE UNATTAINABLE PRESENCE FROM OUR “VIRTUAL REALITY”
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INTRODUCING “THE WILD & THE UNTAMED” FOLK TROUBADOUR IAN GEORGE
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HEARTBREAK & LONGING IN DANCING ON TABLES’ BREAKUP BALLAD “BLACK”
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PRESSURE & SACRIFICE IN GEORGIA MEEK’S PASSIONATE ANTHEM “PRAY”
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COPING WITH GRIEF IN EXES & JOME’S POIGNANT “STAY STILL”
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DISCOVERY & TRANSFORMATION IN WYLAND’S CINEMATIC “NOWHERE NOW” VIDEO
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MARGOT’S DRIVING “COFFEE STAINED SCARS” EVOKES ISOLATION, DISCONNECT, & ALONE TIME
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MORE MUSIC PREMIERES!
Notable Debuts
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THE STIRRING VULNERABILITY OF GABRIELLA ROSE’S INTIMATE ‘LOST IN TRANSLATION’
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SPIELBERGS’ ‘THIS IS NOT THE END’ IS THE ALBUM YOU’VE BEEN WAITING FOR
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MAGGIE ROGERS’ ‘HEARD IT IN A PAST LIFE’: A TRACK-BY-TRACK REVIEW
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KYAN PALMER & NICOPOP.’S “UNOFFICIAL LOVER” FT. YUNG LAMBY
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LOOKING FOR LUCAS DEBUT ‘HIGH WIRE’ EP WITH RAW ROCK & BRITPOP PASSION
DEBUT EP -
BRIGETTA’S INFECTIOUS INDIE POP ANTHEM “SICK”
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MORE MUSIC DEBUTS!
Our Take
Album Reviews
EDITOR'S PICKS
New music discoveries curated by Editor-in-Chief Mitch Mosk
Staff Favorites
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GLASS ANIMALS AND THE MEANING OF "LIFE ITSELF"
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REVIVING INNOCENT MEMORIES WITHIN AMY SHARK’S “ADORE”
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LYRICS, MELODY, AND MEANING: A CONVERSATION WITH OH WONDER
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A LESSON TAUGHT AND LEARNED IN LUKAS GRAHAM’S “7 YEARS”
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EVERYBODY WANTS THE STRUTS (AND YOU CAN TOO!)
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THE EVOCATIVE AWARENESS OF THE NEIGHBOURHOOD’S “WIPED OUT!”
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RADIOHEAD’S “DAYDREAMING” TWISTS THE ORDINARY INTO EXTRAORDINARY
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THIS OVERWHELMING, CINEMATIC, FRAGILE, WILD WORLD: A CONVERSATION WITH BASTILLE
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