Features, Music, Our Take, ReviewsAugust 22, 2018<August 22, 2018 Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest by Nick Baron
Music, PremieresAugust 22, 2018<August 22, 2018 Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love by Mitch Mosk
Debut, Music, PremieresAugust 22, 2018<August 22, 2018 Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery” by Mitch Mosk
Music, Music Videos, PremieresAugust 22, 2018<August 22, 2018 Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years” by Mitch Mosk
Debut, Features, Music, PremieresAugust 22, 2018<August 22, 2018 Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes” by Mitch Mosk
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME” by Atwood Magazine Staff