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Interview with The Jesus and Mary Chain: A Lot of Damage & A Lot of Joy
Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists
Premiere: Fort Frances Urge Us to Press Pause in “Double Take”
Columns
Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level”
Editor’s Picks: January 14, 2019
Atwood Magazine’s Weekly Roundup: January 11, 2019
Today’s Song
Weekly Roundup
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Editor’s Picks
Music You Should Know
Nostalgia Tracks
Premieres
Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists
Premiere: Fort Frances Urge Us to Press Pause in “Double Take”
Premiere: Running Red Lights’ “Calls of Prudence” Confronts the Ghosts of a Romanticised Past
Interviews
Interview with The Jesus and Mary Chain: A Lot of Damage & A Lot of Joy
Here’s to a Good Life: Jerry Williams’ Raw & Intimate Song “David at the Bar”
Death Was a Naked Sword: A Conversation with Spirit Houses
Reviews
Our Take: Earl Sweatshirt Bends Time and Space on ‘Some Rap Songs’
Our Take: Shad’s Righteous Fury Shines Through on ‘A Short Story About a War’
Our Take: Foxwarren’s Self-Titled Album Cements Them as Kings in the Indie Rock Scene
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Best of 2018
Albums of the Year 2018
Artists of the Year 2018
Songs of the Year 2018
January 7th, 2019
Features
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January 7, 2019
Atwood Magazine’s 2018 Albums of the Year
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