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Premiere: Mighty Oaks Dwell in a Moment’s Bliss on “All Things Go”
Premiere: Kate Kelly’s “The Book We Made” Is an Anthem for Letting Go
Live Review: Marika Hackman Wields Undeniable Power and Confidence at Philly’s Boot & Saddle
Features
Our Favorite Albums of the Decade: 2011
Editor’s Picks: October 18, 2019
Born Out of Friendship, Diaries, and Duality: A Conversation with Diplomacy
Interviews
Interview: Moyka Finds a Moment to Breathe in Debut ‘Circles’ EP
To Make Us Feel: An Interview with Dermot Kennedy
Songs, Stories and Middle Eights: An Interview with Maisie Peters
Premieres
Premiere: Mighty Oaks Dwell in a Moment’s Bliss on “All Things Go”
Premiere: Kate Kelly’s “The Book We Made” Is an Anthem for Letting Go
Interview: Moyka Finds a Moment to Breathe in Debut ‘Circles’ EP
Columns
Today’s Song: Inhaler’s Effortless New Single Is Easy As an “Ice Cream Sundae”
Our Favorite Albums of the Decade: 2011
Editor’s Picks: October 18, 2019
Today’s Song
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Editor’s Picks
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Music You Should Know
Nostalgia Tracks
Reviews
Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul
A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures
Our Take: The Lumineers’ III Is a Sonic and Cinematic Masterpiece
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January 7th, 2019
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January 7, 2019
Atwood Magazine’s 2018 Albums of the Year
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