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Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”
Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece”
Premiere: Hypnotized by Simple Pleasures with The Parlor’s “Dream”
Features
Editor’s Picks: June 24, 2019
Atwood Magazine’s Weekly Roundup: June 21, 2019
Interview: Charlotte OC Dives into Her Honest Outpouring “Better Off on My Own”
Interviews
Interview: Charlotte OC Dives into Her Honest Outpouring “Better Off on My Own”
The Midas Touch: A Conversation with Delilah Montagu
Interview: Creating Space with Lostboycrow on ‘Santa Fe’
Premieres
Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”
Premiere: Hypnotized by Simple Pleasures with The Parlor’s “Dream”
Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences”
Columns
Today’s Song: Meija is Pushing “Buttons” and Boundaries with Newest Single
Editor’s Picks: June 24, 2019
Podcast: Tunes & Tumblers Drinks in Kacey Musgraves’ “Golden Hour”
Today’s Song
Weekly Roundup
Editor’s Picks
Viewfinder
Brillboard
Music You Should Know
Nostalgia Tracks
Reviews
Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’
Our Take: Hatchie’s ‘Keepsake’ Brings Forth Something Old, and Something New
Our Take: Crumb’s ‘Jinx’ Paves New Roads for Independent Music
Our Take
Debuts
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January 7th, 2019
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January 7, 2019
Atwood Magazine’s 2018 Albums of the Year
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