8.2 June 13, 2022<June 13, 2022 Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’ by Emily Frances Algar
June 9, 2022<June 9, 2022 ‘You Have Got To Be Kidding Me’: fanclubwallet Dives into the Pop-Fueled Chaos of Her Debut Album by Mitch Mosk
June 9, 2022<June 11, 2022 “There is still beauty, even amidst all the darkness”: Inside Companion’s Sweet & Softly Radiant Debut ‘Second Day of Spring’ by Mitch Mosk
June 8, 2022<June 8, 2022 Album Premiere: “Mr. Texas Soul” Micah Edwards Shares His Heartbreaking, Hopeful, & Redeeming Debut ‘Jean Leon’ by Mitch Mosk
June 8, 2022<June 8, 2022 Inside Sister Ray’s Unfiltered & Liberating Debut ‘Communion’: “If anybody’s gonna get crucified, I want it to be me tonight” by Mitch Mosk
June 8, 2022<June 8, 2022 Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral” by Joe Beer
June 6, 2022<June 6, 2022 Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’ by Mitch Mosk
May 27, 2022<May 27, 2022 ‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album by Mitch Mosk
May 24, 2022<September 29, 2022 “Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’ by Mitch Mosk
May 23, 2022<May 23, 2022 A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’ by Joe Beer
May 20, 2022<May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
May 16, 2022<May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
May 13, 2022<May 16, 2022 “Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’ by Mitch Mosk