November 17, 2021<January 12, 2022 “Real, Funny, & Chaotic”: Inside CARR’s Unapologetic & Exhilarating Sophomore EP ‘I’m Just Bored’ by Mitch Mosk
November 17, 2021<February 7, 2022 Review: Taylor Swift Breaks the Bounds of Brilliance with “All Too Well (10 Minute Version)” by Kelly McCafferty Dorogy
November 17, 2021<November 17, 2021 Essay: Arms Akimbo, the Only Band Stupid Enough to Make a TV Show by Guest Writer
November 17, 2021<November 17, 2021 “We’re Not Businessmen, We’re Musicians”: A Conversation with Acid Tongue by Ben Niesen
November 17, 2021<November 17, 2021 Premiere: The Warmth & Wonder of Ben Strawn’s Intimately Irresistible “So Long” by Mitch Mosk
9 November 17, 2021<November 16, 2021 Review: Lightleak’s ‘Tender Fits’ Blends Touches of Wit, Nostalgia, & Haunting Memories with Rich Sonic Texture by Beau Hayhoe
November 17, 2021<November 17, 2021 Today’s Song: Typhoon Takes Us Along on for the Ride with “Empire Builder” by Nasim Elyasi
November 16, 2021<November 16, 2021 Today’s Song: GRAE Dreams in Color on Love-Soaked “Outta This World” by Mitch Mosk
November 16, 2021<November 16, 2021 “Particles, Separation, & Fulfillment”: Geographer Dives into His Epic Album ‘Down and Out in the Garden of Earthly Delights’ by Mitch Mosk
November 16, 2021<November 16, 2021 Review: Mabe Fratti & Concepción Huerta Reimagine the Composer on EP ‘Estática’ by Adrian Vargas
November 16, 2021<November 16, 2021 Premiere: On “Yes, I Grew Tired,” Nashville’s Mountains Like Wax Rise Through a Radiant Haze by Mitch Mosk
November 16, 2021<November 16, 2021 “That feeling of your relationships falling apart”: Andy Shauf on His Seventh Album ‘Wilds’ by Kelly Liu
November 15, 2021<November 15, 2021 Interview: Squirrel Flower Brings Her “Red Storm Cloud” to Life on Stirring Sophomore Album ‘Planet (i)’ by Mitch Mosk
November 15, 2021<November 15, 2021 Interview: zzzahara’s Feverish Single “they don’t know” Debuts with Frenetic Energy & Visceral Emotion by Mitch Mosk
November 15, 2021<November 15, 2021 Today’s Song: Quelle Rox Finally Escapes a Toxic, Vicious Cycle in “i only want you when i’m f***ed up” by Dimitra Gurduiala