September 24, 2021<September 24, 2021 Atwood Magazine’s Weekly Roundup: September 24, 2021 by Atwood Magazine Staff
September 24, 2021<September 27, 2021 Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’ by Mitch Mosk
September 24, 2021<September 24, 2021 Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe” by Adrian Vargas
September 24, 2021<September 24, 2021 Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’ by Mitch Mosk
September 24, 2021<September 24, 2021 Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’ by Mitch Mosk
September 23, 2021<September 23, 2021 A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’ by Mitch Mosk
September 23, 2021<September 27, 2021 Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven by Mitch Mosk
9.1 September 23, 2021<November 4, 2021 Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’ by Mitch Mosk
September 23, 2021<September 22, 2021 The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’ by Leo Culp
September 23, 2021<September 29, 2021 Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry by Mitch Mosk
September 23, 2021<January 30, 2024 Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same” by Nasim Elyasi
9.1 September 22, 2021<September 22, 2021 “Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning by Mitch Mosk
September 22, 2021<September 22, 2021 Live Review: Larkins Take Us To Heaven and Back on ‘If + When’ Tour by Bethan Harper
September 22, 2021<September 26, 2021 Interview: We Can Dance Together Once More with Durand Jones & The Indications’ ‘Private Space’ by Sophie Prettyman-Beauchamp
September 22, 2021<September 22, 2021 Book Review: Sean Avery Medlin Creates a New Universe Begging to be Explored in ‘808s & Otherworlds’ by Oliver Crook