September 14, 2021<September 14, 2021 Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021 by Oliver Crook
September 14, 2021<September 14, 2021 Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects by Chloe Robinson
September 13, 2021<September 13, 2021 Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion by Mitch Mosk
September 13, 2021<September 13, 2021 Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride by Josh Weiner
September 13, 2021<November 16, 2021 Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love by Mitch Mosk
September 13, 2021<September 15, 2021 “The Ridiculousness of Feelings”: A Conversation with Sloppy Jane by Nasim Elyasi
September 10, 2021<September 10, 2021 “Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’ by Mitch Mosk
September 10, 2021<September 10, 2021 Atwood Magazine’s Weekly Roundup: September 10, 2021 by Atwood Magazine Staff
September 10, 2021<October 5, 2021 Interview: Foy Vance Breaks Out of the Quiet with New Album ‘Signs of Life’ and Little, Soft Revolutions by Erica Danielle Garcia
8.3 September 10, 2021<November 16, 2021 Our Take: We Were Promised Jetpacks Lift Off Once Again on Evolved 5th Album ‘Enjoy the View’ by Beau Hayhoe
September 10, 2021<September 10, 2021 Today’s Song: Navy Defies Genre to Touch Our Souls on “Diamonds” by Oliver Crook
September 9, 2021<September 10, 2021 Feature: Toronto’s Erez Zobary Dives into Her Beautifully Intimate & Radiant ‘To Bloom’ by Mitch Mosk
September 9, 2021<September 9, 2021 Premiere: Sonia Stein’s Intimate, Sweet & Smoldering Groove “Mercury Retrograde” by Mitch Mosk
September 9, 2021<September 9, 2021 The Beauty of Lorde’s World in a Late Summer: A Review of ‘Solar Power’ by Guest Writer