August 6, 2021<February 6, 2023 Premiere: “The Rat” Leads Us into the Mysterious Universe of Plain Mister Smith by Francesca Rose
August 6, 2021<August 6, 2021 “Forever, Soft, & Brave”: Toronto’s LOONY Is Intimate & Unfiltered in Sophomore EP ‘soft thing’ by Mitch Mosk
August 6, 2021<August 6, 2021 Today’s Song: The Tender & Poignant Heartache of Victoria Dodson’s “Homesick” by Mitch Mosk
August 6, 2021<August 13, 2021 Atwood Magazine’s Weekly Roundup: August 6, 2021 by Atwood Magazine Staff
August 5, 2021<August 5, 2021 Review: Evan Effres Navigates Turmoil with Grace in Catchy, Cathartic “Paradigm Shift” by Mitch Mosk
August 5, 2021<August 5, 2021 “Liberating, Confrontational, Yearning”: Pageants Shine on Sophomore Album ‘Sun and Settled Days’ by Mitch Mosk
August 5, 2021<August 5, 2021 “Entertaining, Musical, & Inspirational”: TENI THE ENTERTAINER Shines on Radiant Debut ‘WONDALAND’ by Mitch Mosk
August 5, 2021<August 5, 2021 Premiere: We Are The Willows & Orchid Eaton’s “Keep Your Head Up” Is a Mantra for Turbulent Times by Mitch Mosk
August 5, 2021<August 5, 2021 Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy” by Joe Beer
August 4, 2021<August 4, 2021 EP Premiere: NYC’s Strawberry Launch Weave a Sweet Psychedelic Haze in Self-Titled Debut by Mitch Mosk
August 4, 2021<August 4, 2021 Premiere: England’s Dutch Criminal Record Return with Intimate & (Bitter)Sweet “Return to Dust” by Mitch Mosk
August 4, 2021<August 4, 2021 “Conclusive, Settled, & Hopeful”: Kyd the Band Dives into His Hauntingly Beautiful ‘Season 4: Series Finale’ by Mitch Mosk
August 4, 2021<August 4, 2021 “Slightly Psychedelic Folk Rock”: Tom West Shines on Radiant Third LP ‘I’m Livin’’ by Mitch Mosk