August 5, 2021<August 5, 2021 Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy” by Joe Beer
August 4, 2021<August 4, 2021 EP Premiere: NYC’s Strawberry Launch Weave a Sweet Psychedelic Haze in Self-Titled Debut by Mitch Mosk
August 4, 2021<August 4, 2021 Premiere: England’s Dutch Criminal Record Return with Intimate & (Bitter)Sweet “Return to Dust” by Mitch Mosk
August 4, 2021<August 4, 2021 “Conclusive, Settled, & Hopeful”: Kyd the Band Dives into His Hauntingly Beautiful ‘Season 4: Series Finale’ by Mitch Mosk
August 4, 2021<August 4, 2021 “Slightly Psychedelic Folk Rock”: Tom West Shines on Radiant Third LP ‘I’m Livin’’ by Mitch Mosk
August 4, 2021<January 30, 2024 See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE” by Nasim Elyasi
August 3, 2021<August 3, 2021 5SOS Frontman Luke Hemmings Breaks Out at the “Starting Line” with Anthemic Solo Debut by Mitch Mosk
August 3, 2021<August 3, 2021 “Heavy, Meaningful, & Haunting”: Kenneth Whalum’s Smoldering, Stirring Sophomore LP ‘Broken Land 2’ by Mitch Mosk
August 3, 2021<August 3, 2021 “Exploratory, Reflective, & Textured”: Boston’s Coral Moons Shimmer & Shine on Radiant Debut ‘Fieldcrest’ by Mitch Mosk
August 2, 2021<August 2, 2021 Premiere: Cold Weather Company’s “Movement” Is an Uplifting Guide to Living in (and Embracing) the Moment by Mitch Mosk
July 30, 2021<October 5, 2021 Atwood Magazine’s Weekly Roundup: July 30, 2021 by Atwood Magazine Staff
July 30, 2021<July 30, 2021 Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom” by Mitch Mosk
July 30, 2021<July 30, 2021 “Wooden, Airy, & Laid-Back”: Joe Bourdet’s Debut LP ‘Meadow Rock’ Channels the Radiant, Warm California Sun by Mitch Mosk
July 30, 2021<July 30, 2021 Animus & Anima: LUMP (Laura Marling & Mike Lindsay) on New Record ‘Animal’ by Mariel Fechik