March 23, 2021<April 23, 2021 Interview: Quelle Rox Is a Goddess Set to Bless Us All with Debut EP ‘Lilac Rush’ by Dimitra Gurduiala
March 23, 2021<March 23, 2021 A Conversation with Edwin Raphael: A Dubai Native Making Waves in Montreal with New EP ‘Staring at Ceilings’ by Josh Weiner
March 23, 2021<March 23, 2021 Interview with Steve Brian: A ‘1986’ Offspring from Germany Delivers a Second Stunning Offering of EDM by Josh Weiner
March 22, 2021<March 22, 2021 Premiere: Marlana’s Poignant “Good Girl” Is a Haunting Slice of Real Life by Mitch Mosk
March 22, 2021<March 22, 2021 Today’s Song: The Dead Deads Get Beautifully Monstrous on “Deal with Me” by Ethan James
March 22, 2021<May 19, 2023 Atwood Magazine Celebrates Women’s History Month 2021, Pt. V by Atwood Magazine Staff
March 19, 2021<March 25, 2021 Atwood Magazine’s Weekly Roundup: March 19, 2021 by Atwood Magazine Staff
10 March 19, 2021<October 5, 2021 “Introspective, Revealing, & Sombre”: Bleach Lab Reckon Through Grief & Trauma on Debut EP ‘A Calm Sense of Surrounding’ by Mitch Mosk
March 19, 2021<March 28, 2021 Interview: Genesis Owusu Tackles Racism & Depression on Album of the Year Contending Debut, ‘Smiling with No Teeth’ by Oliver Crook
March 19, 2021<March 18, 2021 Today’s Song: Liza’s “DONE IS DONE” Brings Soulful New Meaning to Desolation by Erica Danielle Garcia
March 19, 2021<March 19, 2021 Interview: Birdy Talks New Music, Her Early Rise to Success, and Her ‘Young Heart’ by Bethan Harper
March 19, 2021<October 5, 2021 “We Are the Golden Ones”: Jon Batiste Dives into His Inspiring, Genreless New Album by Mitch Mosk
March 18, 2021<March 18, 2021 Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power by Mitch Mosk