December 2, 2020<December 2, 2020 Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing by Mitch Mosk
December 2, 2020<December 2, 2020 Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away by Mitch Mosk
December 2, 2020<December 22, 2020 Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For by Dimitra Gurduiala
December 2, 2020<January 19, 2021 Today’s Song: A Riotous Showcasing of Pure Exhilaration on Talkboy’s “Sky Is Falling” by Adrian Vargas
December 1, 2020<December 1, 2020 “Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album by Mitch Mosk
December 1, 2020<December 1, 2020 Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming” by Mitch Mosk
8.7 December 1, 2020<December 15, 2020 Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’ by Nick Matthopoulos
December 1, 2020<September 5, 2022 Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors by Ilana Kalish
December 1, 2020<March 13, 2021 Today’s Song: A Storm’s Vehemence & The Endless Ocean of Sampha’s “Treasure” by Dahlia
November 30, 2020<November 30, 2020 “Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’ by Mitch Mosk
November 30, 2020<November 30, 2020 Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’ by Mitch Mosk
November 30, 2020<December 1, 2020 Interview: Tessa Kaye Is a Powerful Voice for Those Scared to Speak up About Mental Illness by Chloe Robinson
November 30, 2020<November 30, 2020 Today’s Song: Gaspar Narby Explores the Fragmentary Nature of Memory in Articulate Track “Fragments” ft. Taura by Hermione Kellow
November 27, 2020<December 15, 2020 Atwood Magazine’s Weekly Roundup: November 27, 2020 by Atwood Magazine Staff
November 27, 2020<November 27, 2020 Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World by Diego Morales