Exclusive Premiere: Love, Loss, and ‘Expectation’ on XMeKate’s Stunning Debut EP

xMeKate © Sharlene Durfey

Did you ever have a pen pal? Back in the days before texting or even instant messenger, a schoolteacher might set a student up with a peer from a sister school a thousand or more miles away, and you would exchange letters about yourselves. It always started simple – sharing basic, surface level facts, like who you were or what you liked to eat. But as time wore on, you started to feel more comfortable with that piece of paper, and revelations fell onto that page that you had yet to acknowledge or share with your parents or friends.

It’s been a long time since pen pals went “out of style,” but that’s what XMeKate’s debut EP Expectation feels like: An uncompromising expulsion of the truth, no matter how much it hurts or how hard it hits. In today’s factory-bred, overproduced pop world, XMeKate’s unbridled honesty and willingness to show her scars and share her flaws makes her not merely a unique voice, but rather an exceptional standout artist who should not, at any expense be overlooked.

Did you taste him on my lips?
All those cigarettes he promised me he’d never smoke
Which tiny detail did I miss?
Did I stutter, on which excuse did I choke?
Listen: Expectation [EP] – XMeKate

Atwood Magazine is extremely proud to be premiering Expectation, XMeKate’s extraordinary debut EP (produced by Andrés Rebellón of Marina and the Diamonds). LA-based Katharine Kadenacy’s artistic alias takes its name from Shakespeare’s Taming of the Shrew, in honor of the Elizabethan comedy’s strong female protagonist Katherine (Kate) Minola. XMeKate is the perfect example of the strength in a name – and indeed, Kadenacy proves herself a force to be reckoned with.

Expectation - xMeKate

Expectation – XMeKate

The singer/songwriter’s current story begins with tragedy and resilience: After losing her mother to cancer, Kadenacy suffered a mental breakdown and a brief stint on involuntary suicide watch. Music brought her back to life as her songwriting assumed new purpose, transforming from a passion into a passage. The first of a two-EP set, Expectation represents Kadenacy’s rebirth and renewal, the embarkation of a cathartic journey the likes of which we may never truly understand, and whose gravity we surely cannot begin to comprehend.

There is no better way to express that Expectation is so much more than the sum of its parts. XMeKate’s music is the tangible representation and product of her personal healing process, an extraordinarily intimate glimpse into her perfectly imperfect humanity. XMeKate explores areas of herself that few established artists dare touch; she pushes herself away from her comfort zone until that new territory becomes her comfort zone.

xMeKate © Sharlene Durfey

XMeKate © Sharlene Durfey

It all kicks off with “Unless You Are,” whose curious percussive beat (listen with headphones for the full aural experience) is just the tip of the iceberg as XMeKate’s voice thrusts listeners down Kadenacy’s long and winding rabbit hole. She addresses a former lover/friend with open wounds:

I can’t let you near
Strictly out of fear
Baby maybe if your track record was better
I think its time I forget her
You say you’re sorry for yourself
Recreate the pain that you felt
Baby lately I’ve been really feeling better
Dare I say its since I left her

What is it about scars that we find so fascinating? They are the physical, everlasting manifestation of pain, a permanent reminder of the past that we carry with us inside and out. XMeKate could hide those scars from the world; music has a thick veil, but it is at its best when we tear down the wall, isn’t it? Perhaps the mystique around scars is that we all have them, but like snowflakes, they are all unique: Each of us is damaged goods in one way or another, and we can connect better – both to ourselves, and to others – when those scars are visible.

You say you don’t know what you’re missing
I say you don’t know what I’ve got
You say who the hell you been kissing
I say who the hell have I not?
xMeKate © Agata Kadenacy

XMeKate © Agata Kadenacy

XMeKate says it best in the song’s second verse: “Baby craze is what gives a song some flavor.” As the EP opens, we know we’re in for something special. She sees the complexity in things – especially when it comes to her interpersonal relationships. She’s open about the difficulties in being open – we just this in “Unless You Are,” but the theme pervades throughout the record as XMeKate adjusts and readjusts her vision. She evokes Lorde on the vocally-driven “Clementine,” breaking herself down in a harsh self-critique that finds her safe in another’s arms, if only for a short while.

Daughter of a trailer
Park baby mom betrayer
Epitome of a false profit
Try to make one ’cause you’re not it
Daddy’s got you by your pocket
Even if he’s in your locket
By your breast and in your eyes
He will catch you by surprise
xMeKate © Sharlene Durfey

XMeKate © Sharlene Durfey

The EP’s highest points “I’ll Be the Blue” and “Cigarettes” best exemplify XMeKate’s avant-pop creativity, and contain some of her most intriguing lyrics. “Out with the old, in with the new, you’re what’s she borrowed, and I’ll be what’s blue,” she grieves on the soaring “I’ll Be the Blue.” In “Cigarettes,” XMeKate confesses to cheating, while proclaiming undying love for her victim. There’s a surprise behind every door; best to do away with any expectations before listening to her Expectation.

“Ironically enough I spent almost all of my life writing songs about heartache,” remarks XMeKate. “Mostly about frivolous breakups, but it wasn’t until my mom died when I was 20 that I realized why. I honestly believe everything happens for a reason, good or bad and the only way we could ever be disappointed by life is if we have expectations of it. My music is all about this. Love, loss and Expectation. This EP is only the first chapter, with songs about losing love, while its sister EP Too Much is chapter two and all about losing life. Loss has so many different dimensions, so I tried my best to explore that concept. Because they go together, I wanted to have a song on each EP that coincided with [one another,] which is why the two EPs are named after songs, Expectation and Too Much. The music behind both songs is the same and when the lyrics (vocals) are placed over each other they answer back to one another and make a complete song. I perform them as one live.”

The only way we could ever be disappointed by life is if we have expectations of it.

Watch: “Cigarettes” – XMeKate


XMeKate’s music is certainly reminiscent of Lorde, Florence + the Machine or Regina Spektor, but she is so far removed from them. Her ambitious lyrics liken her artistry to that of Fiona Apple, a personal hero – but still, to diminish her to a series of musical similes is an injustice. An artist like this doesn’t come around often, and it’s our responsibility to embrace XMeKate for who she is in the same way that she has embraced herself for who she is.

XMeKate is flawed; XMeKate is broken; XMeKate is a work in progress; XMeKate is human.

Expectation is an intensely humble exploration of the self through a musically and lyrically progressive, innovative and energetic avant-pop lens. XMeKate’s reclamation of her life is clearly an ongoing process, but her openness is refreshing and her vulnerability is empowering. There is so much more to XMeKate than meets the eye, and Expectation is but a glimpse of the young twenty-something’s still-developing artistry. Enjoy Atwood Magazine’s exclusive premiere of Expectation, out 2/17/2017, and stay tuned for the forthcoming second installment Too Much from this artist to watch. Loss and heartbreak may be the cornerstones of XMeKate’s EP, but the end result is an overwhelmingly powerful, engaging and intelligent pop experience that demands multiple listens.

Stream // Buy XMeKate’s Expectaction EP

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Expectation - xMeKate

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XMeKate © Sharlene Durfey

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xMeKate © Sharlene Durfey

xMeKate © Sharlene Durfey

Expectation - xMeKate

Expectation – xMeKate

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York’s many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch’s words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing.
Say hi here: mitch[at]atwoodmagazine[dot]com