“All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album
Powerful and personal, MUNA’s highly anticipated eponymous third album is the most joyful and the most vulnerable work of the band yet.
Powerful and personal, MUNA’s highly anticipated eponymous third album is the most joyful and the most vulnerable work of the band yet.
A beautiful ode to friendship and connection, Sunflower Thieves’ heartfelt new song “Sirens” swells with loving warmth and rich, spellbinding harmony.
Continuing what they do, ‘After Fillmore County’, the latest EP by the duo Vansire, is commentary on society wrapped up in a dreamy sound. — Stream:…
In “Central Time,” their first collaboration with Chicago’s Mick Jenkins, Minnesota’s Vansire paint a multidimensional picture of the American Midwest.
A restless, saccharine ray of restless light, “Cooped Up” introduces Nashville’s Tedadore with a sweet, bubbly indie pop study in duality.
A breathtaking indie folk song exploring vulnerability and insecurity, Emily Keener’s “Do You Love Me Lately?” is heart-wrenchingly beautiful in its grace and overwhelming honesty.
Vansire create a moving ode to the world at large with “Metamodernity,” a romantic narrative that explores the navigations of a postmodern world.
The Next Great American Novelist’s infectiously alternative new single “Blackberry” embraces insatiable lust, reconciling the desire to be an artist with the guilt that comes with it.
In advance of Earl Sweatshirt’s forthcoming LP Some Rap Songs and The Alchemist’s Bread EP, the California rapper and producer dropped off their long-awaited collaboration “E Coli.”
With an ever-present fervor in his vocal work, Soham De embraces emotional intensity in “Confession,” delivering a performance that will leave one with chills for days to come.
Blending desire and disco in a pool of warm, grooving vibes, Goldilox’s new single “I Love You” is a defiant outpouring of emotion.
Nas’ NASIR may not be a masterpiece, but the intelligent, highly aware record is an intriguing and welcome return for the long-absent God MC.
Magic City Hippies capture desire’s heavy hypnosis in “Franny,” a glitchy love song pulsing with hot n’ hearty funk.
Andy Shauf’s ‘The Party’ is a testament to storytelling, achieving a level of beauty so many artists have attempted, but failed to realize in their music.
Vampire Weekend’s infectiously catchy 2013 song “Unbelievers” uses religion and comedy to grapple with understanding one’s identity and purpose in the world.