Exclusive Premiere: The March Divide Moves On in “That Song I Wrote For You”

The March Divide © Greg Gabrisch

It’s no secret that time heals all wounds. Past love is indeed like scar – it’s painful the closer you are to the damaging event. The farther out you go, the more it fades; it’s still there, but you forget about it over time.

The March Divide captures the emotions involved with moving on from a relationship on the band’s aptly-titled new single, “That Song I Wrote For You.” There is so much more to a relationship than its ending: An entire story exists, one that was shared between two souls. The flame may wither and fade, but the story itself cannot be overwritten; it has its own permanent, fixed place in time, like a tattoo on our memory.

I could lose myself in you
Just like I used to
Before you vanished like you do
I’d never choose, to get back with you
‘Cause that situation doesn’t look
Anything like it used to

Listen: “That Song I Wrote For You” – The March Divide


Atwood Magazine is proud to be premiering “That Song I Wrote For You,” the second single from The March Divide’s new EP Bribing Jace, independently out this Friday, 11/4/2016. The March Divide is the musical alias/nom-de-plume for San Antonio-based songwriter Jared Putnam, who has prolifically released a total of three albums and three EPs in just three years, the most recent being May 2016’s Saturdays.

Bribing Jace - The March Divide

Bribing Jace – The March Divide

Such a heavy output would result in exhaustion for most, but Putnam’s songwriting feels fresher than ever on “That Song I Wrote For You.” Perhaps this has something to do with the intimacy of the subject matter: Love is a tender topic, but when something means that much to you, it flows out freely and easily. The track’s title is self-explanatory: “That Song I Wrote For You” finds Putnam addressing an ex with the benefit of time’s passing, and dealing with the complicated feelings that arise. One can imagine the scenario where he would stumble upon an old flame, and not know how to react. Does he still care? This is not the same person he knew; he is not the same person anymore.

Meanwhile, back at home in some dusty drawer, there lies Putnam’s old notepad, the treasure-trove of his youth, littered with emotional, doting lyrics and scribbled chords. Every songwriter has muses that come and go: The crushes or loves they wrote song after song about, putting their heart onto their sleeve and then into their music. It’s a funny feeling to look back on those words once the flame is gone. You feel a detachment of sorts, as if the writer of those words is another person – a former version of you that at once is and is not who you are today.

Well, I don’t know, why I said those things I said,
and I’m sorry I forgot that song I wrote for you
It’s been years since I saw you though,
You came and went, you’re like a ghost,
A faded memory, at most

The post-breakup encounter begins. Putnam’s first instinct is to apologize – perhaps over an ancient fight – and to express sorrow that he’s forgotten their song. At the same time, Putnam notes the distance between himself and this person whom he once adored, who “came and went” and truly exists for him in the past, “a faded memory at most.” He rationalizes having moved on, before seeming unsure of himself in the song’s chorus:

But, I could lose myself in you, 
Just like I use to, before you vanished like you do
I’d never choose, to get back with you,
‘Cause that situation doesn’t look, anything like it used to

All those old feelings return in a rush, as Putnam remembers what that love – that relationship – felt like. Love feels good; it’s a hard thing to resist, as he notes when he sings, “I could lose myself in you just like I used to.” He then remembers that he was hurt – deliberately so – and pulls himself away from those emotions. He doesn’t want to get hurt again; he knows where that road leads. “I’d never choose to get back with you.”

The March Divide © Greg Gabrisch

The March Divide © Greg Gabrisch

A pop song with a folk flare, “That Song I Wrote For You” is reminiscent of the alternative acoustic ballads of the late’90s and early ’00s. One hears The Goo Goo Dolls in The March Divide’s haunting acoustic guitar performance: Every strum bears a heavy, nostalgic weight. Harmonica in the chorus adds a warm texture to the song, giving it extra life and boosting the memory.

Yet what stands out the most for The March Divide are Jared Putnam’s words. Eloquently simple and concise, Putnam’s lyrics are immediately relatable. His experience and memory transfer directly from the song to the listener:

I had that hoodie that you left,
With all the buttons, from the shows you couldn’t miss
I’m not sure what I did with it
It’s what you’re wearing in my head, when I picture you
It made my closet smell like you,
So I finally got rid of it

What do we do with our ex’s stuff? We save it for a bit, and then toss it; the act is as much ritualistic as it is physical in nature. We’ve all been there.

In the final verse, Putnam resolves and absolves himself, singing, “I learned I’m better off alone, But you scared me half to death wondering where you’d been.” He’s not getting back together; he’s happier now, but he’s glad to see a familiar face. If anything, the encounter acts as a cathartic closure. For listeners, we too can dive into our memories again and again, but our memories are ghosts of the past, not the present.

The March Divide © Greg Gabrisch

The March Divide © Greg Gabrisch

“That Song I Wrote For You” has a seamless flow to it, possibly due to the fact that the entire song was written in a single session. “I don’t typically write my songs in one sitting, but I love it when I do,” says Putnam. “I wrote it all at once, in a Harlingen, TX hotel room.” Authentic, expressive outbursts are shy to come by, but they’re the most evocative and honest moments one can have.

Though we may move on physically and emotionally, our memories remain, pushing and pulling us through reflections of the past. The March Divide discovers the complexity of moving on in the bittersweet nostalgia of “That Song I Wrote For You,” a catchy throwback in both sound and spirit. The March Divide kick off their November tour tomorrow (dates & information below) alongside Bribing Jace‘s release (available for pre-order here). For now, listen to “That Song I Wrote For You” via Atwood Magazine’s exclusive stream.

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Bribing Jace - The March Divide

Bribing Jace – The March Divide (pre-order)

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cover photo: The March Divide © Greg Gabrisch

:: The March Divide ::

November 2016 Tour Dates

11/04 – Austin, TX @ Hole In The Wall Full band, 8PM
11/05 Houston, TX @ Satellite Bar Full band, 8PM
11/06 San Antonio, TX @ Limelight w/ Garrett Klahn (Texas Is The Reason)
11/07 El Paso, TX @ Bowie Feathers w/ Garrett Klahn (Texas Is The Reason)
11/08 Phoenix, AZ @ Valley Bar w/ Garrett Klahn (Texas Is The Reason)
11/09 San Diego, CA @ The Merrow Solo acoustic, 8PM
11/10 Anaheim, CA @ World Famous Doll Hut Solo acoustic, 7PM
11/11 Indio, CA @ Club 5
11/12 Long Beach, CA @ The Prospector
11/13 Reno, NV @ Spectre Records
11/14 Salt Lake City, UT @ The Dawg Pound, 21+, 8PM
11/15 Elko, NV @ DLC Gallery Bar
11/16 Provo, UT @ House Show E-mail info@themarchdivide.com for info
11/17 Albuquerque, NM @ Low Spirits
11/18 Lubbock, TX @ J&B Coffee
11/19 Austin, TX @ House Show (email info@themarchdivide.com)

more info @ themarchdivide.com

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York’s many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch’s words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing.
Say hi here: mitch[at]atwoodmagazine[dot]com