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Best Music 2018

Atwood Magazine's 2018 Albums of the Year

Features, Music, News, ReviewsJanuary 7, 2019<January 21, 2019

Atwood Magazine’s 2018 Albums of the Year

by Atwood Magazine Staff

Atwood Magazine's 2018 Artists of the Year

Features, Music, News, ReviewsJanuary 4, 2019<January 16, 2019

Atwood Magazine’s 2018 Artists of the Year

by Atwood Magazine Staff

Atwood Magazine's 2018 Songs of the Year

Features, Music, News, ReviewsJanuary 3, 2019<January 16, 2019

Atwood Magazine’s 2018 Songs of the Year

by Atwood Magazine Staff

Atwood Magazine's Best Live Performances of 2018

Features, Music, Music Videos, NewsDecember 19, 2018<January 8, 2019

Atwood Magazine’s Best Live Performances of 2018

by Atwood Magazine Staff

Atwood Magazine's 2018 Albums of the Year, Part 1

Features, Music, News, ReviewsJune 29, 2018<July 4, 2018

Atwood Magazine’s Best Albums of 2018… Part 1

by Atwood Magazine Staff

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Brand New

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

:: discover something new ::

:: discover something new ::

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Recent Posts

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” April 19, 2024
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie April 19, 2024
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang April 18, 2024
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them April 18, 2024
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP April 18, 2024
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP April 18, 2024
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024

© Atwood Magazine 2023 For the Love of Music

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