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Emotional Oranges album 2019

Debut, Music, Our Take, ReviewsJune 25, 2019<June 26, 2019

Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’

by Ben Niesen

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“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”
Today’s Song: The Enchanting Interior World of London Grammar’s “House”
Atwood Magazine’s Weekly Roundup: April 12, 2024

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Recent Posts

“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction April 15, 2024
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family” April 14, 2024
Today’s Song: The Enchanting Interior World of London Grammar’s “House” April 13, 2024
Atwood Magazine’s Weekly Roundup: April 12, 2024 April 12, 2024
Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’ April 12, 2024
“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie April 12, 2024
Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’ April 12, 2024

© Atwood Magazine 2023 For the Love of Music

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