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empowering pop anthem asserting physical

LIEZA © 2017

Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

by Mitch Mosk

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Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims
“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie
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Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change
Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

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Recent Posts

Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims April 24, 2024
“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie April 23, 2024
“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem April 23, 2024
“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction April 23, 2024
Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’ April 23, 2024
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change April 23, 2024
Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm April 23, 2024
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache April 22, 2024
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ April 22, 2024

© Atwood Magazine 2023 For the Love of Music

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