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Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong
Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”
Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”
Features
Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong
Eclectic Theatricality: A Conversation with Hellions
Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’
Reviews
Our Take: Joey Dosik’s Impeccably Stylized Debut ‘Inside Voice’ Hits All of the Right Notes
Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest
Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering
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Interviews
Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong
Eclectic Theatricality: A Conversation with Hellions
Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’
Exclusives
Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”
Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”
Premiere: Kazyak’s Surreal “Talking to a Stranger”
Premieres
LiveSyphon
Columns
Unraveling the Headache of Anxiety as Told by Beach Bunny in “Painkiller”
Atwood Magazine’s Weekly Roundup: August 31, 2018
Today’s Song: Wafia Finds Closure on Empowering Anthem “I’m Good”
Today’s Song
Music You Should Know
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Atwood On Tour
Concert Conversations
Pop Matters
MVPs
Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong
Eclectic Theatricality: A Conversation with Hellions
Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’
Glass Animals – 2016
Bastille – 2016
Radiohead – “Daydreaming”
Fragile Luxtides
Music
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Premieres
April 12, 2018
Premiere: “Fragile,” Luxtides’ Break from Delicacy
By
Maggie McHale
