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Our Take: CHVRCHES Go Gold with “Every Open Eye”

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Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down”
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”
Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’
“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting”

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Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ April 25, 2024
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” April 25, 2024
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse April 25, 2024
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine” April 24, 2024
Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest April 24, 2024
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ April 24, 2024
“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting” April 24, 2024
“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance April 24, 2024
Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims April 24, 2024
“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie April 23, 2024

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