Columns, Music, Today's SongAugust 27, 2018<August 27, 2018 Today’s Song: Jack River Experiments with Emotional Boundaries “In Infinity” by Natalie Harmsen
Columns, Music, Today's SongAugust 13, 2018<August 13, 2018 Today’s Song: Living Everyday Realities Through the Heart-Fluttering Synths of Let’s Eat Grandma’s “It’s Not Just Me” by Francesca Rose
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018 Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now” by Josh Weiner
Music, Our Take, ReviewsJuly 20, 2018<July 20, 2018 Our Take: JONES Strips It Back on ‘New York’ EP by Natalie Harmsen
Debut, Features, Interviews, MusicJuly 9, 2018<July 18, 2018 The Voice of Our Generation: An Interview with Sasha Sloan by Ethan Germann
Columns, Features, Music, Weekly RoundupJune 29, 2018<June 29, 2018 Atwood Magazine’s Weekly Roundup: June 29, 2018 by Atwood Magazine Staff
Music, ReviewsJune 29, 2018<June 29, 2018 Review: The Bait Is Live, Join the Curse League in Their Latest Album by Connor Bush
Features, Music, News, ReviewsJune 29, 2018<July 4, 2018 Atwood Magazine’s Best Albums of 2018… Part 1 by Atwood Magazine Staff
Columns, Music, Today's SongJune 29, 2018<June 29, 2018 Today’s Song: Petal Assess the Scene in “Something from Me” by James Crowley
Music, Music Videos, PremieresJune 29, 2018<June 29, 2018 Premiere: Lydia Luce’s “Helen” Depicts Love in an Intoxicating Way by Luke Pettican
Columns, Music, Today's SongJune 28, 2018<July 25, 2018 Today’s Song: Indulge in “Superlove” with Whethan and Oh Wonder by Mitch Mosk
Music, PremieresJune 28, 2018<June 28, 2018 Premiere: Goldilox Blends Desire & Disco in Groovy “I Love You” by Mitch Mosk
Debut, Music, PremieresJune 28, 2018<June 28, 2018 Premiere: “FYA,” Matilda Eyre’s Dark Ode to Your Inner Joy by Mitch Mosk
Music, PremieresJune 28, 2018<June 27, 2018 Premiere: Combining Love & Anguish on Ralegh Long’s “Where You Are” by Adrian Vargas
Debut, Features, MusicJune 27, 2018<June 27, 2018 Feature: Embracing ‘Edge Markings’ & Planes on Paper’s Warm Folk Beauty by Mitch Mosk