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Warbly Jets © Moni Haworth

Debut, Music, Our Take, Reviews October 23, 2017

Our Take: Catchy Pop Meets ’60s Brit Rock on Warbly Jets’ Debut

By Alexandra Graber

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Brand New

Atwood Magazine’s Weekly Roundup: April 19, 2019
Live: Charlotte Lawrence Beguiles and Bewitches at Manchester’s Deaf Institute
Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”
Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’
Feature: The Spiritual Release of Alexz Johnson’s Fresh, Raw “Weight”
Not Talking, But Listening: A Conversation with Loyle Carner
Our Take: Abd Al Malik Still Reigns Supreme in France’s Spoken-Word Scene

April 2019
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Atwood is a digital platform that seeks out visionary artists and fresh voices with the goal of promoting the arts. The Atwood team is made up of individuals from all over the world that are passionate about art and innovation. We aim to showcase not only incredible creation, but also the stories behind them.

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Recent Posts

Atwood Magazine’s Weekly Roundup: April 19, 2019 April 19, 2019
Live: Charlotte Lawrence Beguiles and Bewitches at Manchester’s Deaf Institute April 19, 2019
Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer” April 19, 2019
Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’ April 19, 2019
Feature: The Spiritual Release of Alexz Johnson’s Fresh, Raw “Weight” April 19, 2019
Not Talking, But Listening: A Conversation with Loyle Carner April 19, 2019
Our Take: Abd Al Malik Still Reigns Supreme in France’s Spoken-Word Scene April 18, 2019
Tunes & Tumblers: Sipping Through ‘Golden Hour’ with Kacey Musgraves April 18, 2019
Rolling Troubadour Tom Hannay Tells You Where to Shove It on “The Feeding Hand” April 18, 2019
Premiere: Roken Basks in Sweet Seclusion on Debut “Comfortable” April 18, 2019

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