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Mamalarky review

Mamalarky © Sara Cath

Interviews, MusicNovember 19, 2020<November 19, 2020

“Will It Blend?”: Inside Mamalarky’s Two-Year Quest to Craft the Perfect Overdubs

by Guest Writer

Mamalarky © Gabriel Ovalle

Music, PremieresMarch 7, 2018<March 7, 2018

Premiere: The Unique Ease of Mamalarky’s Lovelorn “Mama’s Bear”

by Kaitlyn Zorilla

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Brand New

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’
Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”
Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

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Recent Posts

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ April 19, 2024
Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” April 19, 2024
Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” April 19, 2024
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie April 19, 2024
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang April 18, 2024
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them April 18, 2024
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP April 18, 2024
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP April 18, 2024
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024

© Atwood Magazine 2023 For the Love of Music

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