Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022 Atwood Magazine’s Weekly Roundup: June 24, 2022 by Atwood Magazine Staff
10 Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022 “Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJune 24, 2022<June 28, 2022 “My world, My love, Paris”: Vienna’s OSKA Shines on Her Beautifully Warm & Wondrous Debut Album by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022 ‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album by Mitch Mosk
Columns, Music, Today's SongJune 24, 2022<June 24, 2022 Today’s Song: Sharon Van Etten and Angel Olsen’s “Like I Used To” Is a Beacon of Hope by Sophie Prettyman-Beauchamp
Music, ReviewsJune 24, 2022<June 24, 2022 Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’ by Rachel Leong
Festival, Music, ReviewsJune 23, 2022<June 23, 2022 Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary by Christopher Snyder
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022 “Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022 “Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album by Mitch Mosk
Columns, Music, Today's SongJune 23, 2022<June 23, 2022 Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode” by Madeleine Eggen
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022 Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo! by Mitch Mosk
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022 Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition by Mitch Mosk
Features, Interviews, MusicJune 22, 2022<June 27, 2022 “I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJune 22, 2022<June 22, 2022 “Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’ by Mitch Mosk
Columns, Music, Today's SongJune 22, 2022<June 22, 2022 Today’s Song: Paul Thomas Saunders Is Soaring High in New Single, “Heartlands” After 8-Year Hiatus by Rachel Leong