Features, Interviews, MusicFebruary 29, 2024<February 27, 2024 Interview: NYC’s Quarters of Change Are Painting Vivid & Gritty ‘Portraits’ in Their Sophomore Album by Minna Abdel-Gawad
Columns, Music, Today's SongFebruary 29, 2024<February 26, 2024 Today’s Song: UK Duo Holy Fool Provides a Warm Thirst and Vulnerability in “Ache” by Chloe Robinson
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024 “I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock by Mitch Mosk
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024 “No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty by Kate Millar
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024 “Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream by Mitch Mosk
Features, Interviews, MusicFebruary 27, 2024<February 27, 2024 A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills” by Lauren Hicks
Columns, Music, Today's SongFebruary 26, 2024<February 26, 2024 “How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour” by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 26, 2024<February 26, 2024 Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie by Mitch Mosk
Columns, Music, Today's SongFebruary 24, 2024<February 24, 2024 Today’s Song: Kota the Friend Leaves No Room for Greed on “Alabama Hills” by Aidan Mega
Columns, Features, Music, Weekly RoundupFebruary 23, 2024<March 15, 2024 Atwood Magazine’s Weekly Roundup: February 23, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 23, 2024<February 23, 2024 “My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 23, 2024<February 23, 2024 “The whole point, to me, is to make somebody feel seen”: Hana Eid Exposes Life’s Cracks on ‘I Exist Because You Say So,’ Her Gut-Wrenching Coming-of-Age Debut by Mitch Mosk
Artist to Watch, Features, Interviews, MusicFebruary 23, 2024<February 23, 2024 “Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time by Mitch Mosk
Features, Interviews, MusicFebruary 23, 2024<February 23, 2024 Feature: The Return, Rebirth, and Resurrection of Allie X by Marissa DeLeon
Columns, Music, Today's SongFebruary 22, 2024<February 22, 2024 “How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light by Mitch Mosk