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Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022 Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid! by Mitch Mosk
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022 Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul by Mitch Mosk
Music, ReviewsMay 18, 2022<May 18, 2022 Review: London’s Phantom Isle Bring a Sparkling Nostalgia with New EP ‘Out of Blue’ by Chloe Robinson
Music, PremieresMay 18, 2022<May 18, 2022 Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry” by Mitch Mosk
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Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
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Music, Music Videos, PremieresMay 16, 2022<May 16, 2022 Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help by Mitch Mosk
Features, Interviews, MusicMay 16, 2022<September 29, 2022 “Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie by Mitch Mosk
Columns, Music, Today's SongMay 16, 2022<May 16, 2022 Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth by Sophie Prettyman-Beauchamp
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Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022 “Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP by Mitch Mosk