Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024 Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024 Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape by Mitch Mosk
Features, Interviews, MusicMarch 12, 2024<March 12, 2024 Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’ by Jaclyn Kelly
Music, PremieresAugust 16, 2023<August 16, 2023 Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021 “Raw, Young, & Energetic”: Oslo’s VEPS ‘Open the Door’ with Radiant Indie Rock Debut EP by Mitch Mosk
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020 Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’ by Mitch Mosk
Debut, Features, Music, Our Take, ReviewsJanuary 31, 2019<January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
Music, PremieresJanuary 31, 2018<January 31, 2018 Premiere: Alfred Hall’s “Pearl Diver” & the Never-Ending Search for Happiness by Mitch Mosk
For the Love of Music
For the Love of Music
