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Occlusions Too Much song review

Occlusions © 2018

Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Occlusions Enchant and Indulge in “Become” & “Too Much”

by Mitch Mosk

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“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
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Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”

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Recent Posts

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction April 15, 2024
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family” April 14, 2024
Today’s Song: The Enchanting Interior World of London Grammar’s “House” April 13, 2024
Atwood Magazine’s Weekly Roundup: April 12, 2024 April 12, 2024
Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’ April 12, 2024

© Atwood Magazine 2023 For the Love of Music

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