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Post Script band

Music, Premieres February 7, 2019

EP Premiere: Hardship & Healing in Post Script’s ‘The Light I Can’t Block Out’

By Mitch Mosk

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Brand New

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’
Atwood Magazine’s Weekly Roundup: February 22, 2019
Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too)
Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute”
Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth
EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’
EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’

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Atwood is a digital platform that seeks out visionary artists and fresh voices with the goal of promoting the arts. The Atwood team is made up of individuals from all over the world that are passionate about art and innovation. We aim to showcase not only incredible creation, but also the stories behind them.

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Recent Posts

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’ February 22, 2019
Atwood Magazine’s Weekly Roundup: February 22, 2019 February 22, 2019
Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too) February 22, 2019
Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute” February 22, 2019
Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth February 22, 2019
EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’ February 21, 2019
EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’ February 21, 2019
Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune February 21, 2019
Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale February 21, 2019
Premiere: Marina City’s Seductively Sweet “Addicted” February 21, 2019

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