Artist to Watch, Features, Lists, MusicFebruary 12, 2024<February 15, 2024 Atwood Magazine’s 2024 Artists to Watch by Atwood Magazine Staff
Music, Music Videos, PremieresFebruary 12, 2024<February 12, 2024 Premiere: Helenor’s New Single “Tattoo” Tells a Story of Spontaneous Permanence by Olivia Martinez
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024 “I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’ by Mitch Mosk
Music, ReviewsFebruary 9, 2024<February 9, 2024 Madi Diaz Looks Both Within & to Others in the Effort to Find ‘Weird Faith’ by Kevin Krein
Features, Interviews, MusicFebruary 9, 2024<February 9, 2024 “I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions by Kelly McCafferty Dorogy
Columns, Music, Today's SongFebruary 8, 2024<February 8, 2024 Today’s Song: Middle Kids Explode Through the Negativity with “Terrible News” by Francesca Rose
Features, Interviews, Music, Track-by-TrackFebruary 8, 2024<February 8, 2024 “Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go by Mitch Mosk
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024 Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort by Noah Wade
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024 Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’ by Mitch Mosk
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024 Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead by Olivia Martinez
Columns, Music, Today's SongFebruary 7, 2024<February 7, 2024 “Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was by Lauren Turner
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024 Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return by Aidan Moyer
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024 “What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self by Kendall Graham