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Shikoswe Back in the Tall Grass song

9

Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020

Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’

by Mitch Mosk

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Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’
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Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims
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“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

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Recent Posts

Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest April 24, 2024
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ April 24, 2024
“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting” April 24, 2024
“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance April 24, 2024
Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims April 24, 2024
“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie April 23, 2024
“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem April 23, 2024
“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction April 23, 2024
Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’ April 23, 2024
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change April 23, 2024

© Atwood Magazine 2023 For the Love of Music

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