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Swings And Waterslides

Viola Beach

Features, Music, ReviewsSeptember 7, 2016<September 6, 2016

Boys That Sing: Viola Beach’s Infectious Spirit Lives On in Debut Album

by Lindsay Call

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Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”
Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’
“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting”
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Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims

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Recent Posts

Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse April 25, 2024
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine” April 24, 2024
Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest April 24, 2024
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ April 24, 2024
“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting” April 24, 2024
“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance April 24, 2024
Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims April 24, 2024
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© Atwood Magazine 2023 For the Love of Music

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