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Columns, Music, Today's SongSeptember 11, 2019<September 11, 2019

Today’s Song: Tom Boy Rise from Their Ashes with “Wastecase”

by Alicia Bugallo

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‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”
Atwood Magazine’s Weekly Roundup: April 19, 2024
Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound
“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

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Recent Posts

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ April 22, 2024
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound April 21, 2024
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” April 20, 2024
Atwood Magazine’s Weekly Roundup: April 19, 2024 April 19, 2024
Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound April 19, 2024
“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ April 19, 2024
Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” April 19, 2024
Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” April 19, 2024
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie April 19, 2024

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