Home
About
Upcoming Album Releases
Best of the Year
Get Involved
Pitching Us
Contact
Bio Services

For the Love of Music

Search for:

New Music Releases
Recent
Features
Interviews
Editor’s Picks
Reviews
- Our Take
- Debuts
- Videos
- Live
Columns

Winnipeg indie pop

Dweller © courtesy of the artist

Artist to Watch, Debut, Features, Interviews, MusicNovember 28, 2023<December 1, 2023

“No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup

by Mitch Mosk

Mise en Scene 'Reality Bites' © Adam Kelly 2023

Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP

by Mitch Mosk

Living a Lie - Royal Canoe

Music, Music Videos, PremieresFebruary 14, 2018<February 14, 2018

Video Premiere: Royal Canoe’s “Living a Lie” Explores Intimacy & Taboo Desire

by Mitch Mosk

White Lies - White Lies - WarmingWarming

Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

by Mitch Mosk

Search for:

Brand New

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”

:: discover something new ::

:: discover something new ::

Search for:

Recent Posts

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie April 19, 2024
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang April 18, 2024
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them April 18, 2024
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP April 18, 2024
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP April 18, 2024
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024

© Atwood Magazine 2023 For the Love of Music

Back to top

Search for:

New Music Releases
Recent
Features
Interviews
Editor’s Picks
Reviews
- Our Take
- Debuts
- Videos
- Live
Columns

Home
About
Upcoming Album Releases
Best of the Year
Get Involved
Pitching Us
Contact
Bio Services