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Music, Music Videos, PremieresApril 9, 2018<April 10, 2018

Premiere: Dwell in the Warm Embrace of Yoste’s “Arc” (stripped)

by Mitch Mosk

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Brand New

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”

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Recent Posts

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction April 15, 2024

© Atwood Magazine 2023 For the Love of Music

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