EP Premiere: VON GREY Blossom on ‘In Bloom’ with Intimate Depth and Breathtaking Grace

In Bloom Acoustic EP - VON GREY
An outpouring of raw emotion, connection, and vulnerability, VON GREY’s ‘In Bloom: Acoustic’ EP taps into human depth with breathtaking orchestral folk grace.
for fans of The Staves, I SEE RIVERS, Blind Pilot, First Aid Kit

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Out of darkness, comes light; out of instability, comes balance; out of pain, comes beauty. Life is not without its challenges, but every hardship is an opportunity for growth: A chance to deepen your relationship with yourself and others. The obstacles we face and how we face them define who we are and how we relate to the world – which is why VON GREY’s new EP is their most important record yet. An outpouring of raw emotion, intimate connection, and haunting vulnerability, VON GREY’s In Bloom: Acoustic EP is an empowering, cathartic coming-of-age collection that taps into the darkest depths of human experience with breathtaking orchestral folk grace.

Hold me; won’t you please hold me?
Hold me through the worry
Show me, water me and grow me
Plant me in the valley of your arms
I have moved no mountains
I have just stood still
Here I go making plans again
Pillaging my last defense I am not alone,
I am not alone I am not a ghost quite yet
But here I go making plans
– “Plans,” VON GREY
In Bloom Acoustic EP - VON GREY

In Bloom: Acoustic EP – VON GREY

Atwood Magazine is proud to be premiering VON GREY’s In Bloom: Acoustic EP, out everywhere this Friday, July 20, 2018. An emotive album defined by the healing, growth, and transition process, In Bloom combines new, “acoustic” versions of previously-released VON GREY songs with sonically-similar original material to create an unforgettable, rejuvenating listening experience.

There’s no question that In Bloom marks the beginning of a new chapter for VON GREY: Hailing from Atlanta, Georgia, the young trio of sisters Kathryn (23), Annika (22), and Fiona (20) von Grey debuted their band five years ago in 2013, and have already played over 500 shows, performed on late night television, and featured in major music festivals. Their sound has developed tremendously over the course of three EPs as the trio experimented with various elements of folk rock, orchestral pop, and electronic music. Yet no matter what instrumentation they’ve employed, the classically-trained sisters have always been distinguished through their rich, lush vocals – and it is this defining trait that truly stands out, perhaps more than anything else, on In Bloom.

VON GREY © Allister Ann

VON GREY © Allister Ann

Listening to VON GREY’s EP is like being in the presence of the mythical sirens: VON GREY’s vocals are absolutely mystifying. Provocative two- and three-part harmonies dazzle and entrance us as the twenty-somethings surrender themselves through song. “The process behind In Bloom was very tender,” the sisters explain. “The entire recording and production phase felt like a peeling back – like we were carefully and confidently stripping back layers of production and really reconnecting with the lyrics and basic melodies. The level of softness reminded us of flowers. Also – and please pardon [the] melodrama – it felt almost like a new becoming for us due to the new process behind it. We felt like we were blooming.”

Bittersweet opener “Plans” deals with tragedy in the moment, struggling to overcome grief while searching for strength outside and within. The acoustic versions of “6AM,” “Poison in the Water,” and “Closer to You,” all taken from 2017’s TRINITY EP, bring emotion to the forefront through sparse, soft, and subtle displays. While there is no In Bloom non-acoustic EP, the title In Bloom: Acoustic is a reference to the group’s current sonic identity, as well as a recognition of their three recreations. “The idea to strip down our arrangements to our original instrumentation was so intentional, and we really wanted to bolster the idea of what an acoustic record meant to us,” the trio share. “Strings dominate the record, and their arrangements were the highlight of the recording process. Three of the songs on the EP were also on TRINITY, in a different format, and so we thought it also made sense as a follow-up title for half of TRINITY.”

VON GREY © Allister Ann

VON GREY © Allister Ann

Burdened by the weight of inner and outer change, turbulence, and turmoil, In Bloom is not for the faint of heart: VON GREY unravel themselves through beautiful poetry and incredible harmony, inviting us to peel back our own layers in the process. They reach their pinnacle in closer “Dawn,” a band (and personal) favorite that explores connection, vulnerability, and love through a truly awe-inspiring, jaw-dropping orchestration and vocal arrangement.

Come lay down, let me take your head
Tell me how much did you take
I wanna be a soft shoulder
For you to lean on
Can you stand up, will your knees give?
Are your markings stuck, how much have you hid?
I wanna be a soft shoulder
For you to lean on
Hold on, I’ll carry you
I’ll carry you my sister
Hold on, it’s time
to find the path of least resistance
Hope will be in the light corners
of the dawn
– “Dawn,” VON GREY
VON GREY © Allister Ann

VON GREY © Allister Ann

“We are so thrilled to release In Bloom: Acoustic, but it is absolutely our most terrifying release to date,” VON GREY tell Atwood Magazine. “We have always surrounded ourselves with brilliant and supportive creatives who have allowed us our own artistic room whilst nudging, guiding, and mentoring us. The creative process behind this EP was different, due to the fact that it’s our first self-produced, self-engineered recording effort. All of the visuals have been created in house. All of the messaging within and surrounding the EP has come directly from us, with no external filter. Every sound and flourish on the tracks was created with our bodies and instruments, with no critical ears other than our own — other than in the form of the magical tweaks added by our wonderful mixer Chad Howatt. Being so isolated within the creative process bred complete emotional transparency. This EP is a very vulnerable yet empowering accomplishment for us.”

VON GREY have never sounded more themselves than they do on In Bloom. As they are only in their early twenties, there is no doubt that the trio’s best work is still ahead of them – the bar is just that much higher than it was before. Experience the full record via our exclusive stream, and peek inside VON GREY’s In Bloom: Acoustic EP with Atwood Magazine as sisters Annika and Fiona von Grey go track-by-track through the music and lyrics of their new EP! In Bloom: Acoustic is out everywhere this Friday, July 20, 2018!

Listen: ‘In Bloom: Acoustic’ – VON GREY

:: In Bloom: Acoustic ::

In Bloom Acoustic EP - VON GREY

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Plans

“Plans” is the most lyrically immediate song we have ever written. Most songs come as an act of retrospection. Even if they’re written in the heat of a moment — it’s not usually right as something monumental is occurring. “Plans” was and is different insofar as that it was written at a piano with tears and a shaky voice as a necessary tool for emotional processing. The three of us were all at the precipice of big changes that involved leaving our partners, homes, and sources of comfort for an indefinite period of time, and “Plans” evolved as a device for coping.

6AM

“6 AM” was on our EP TRINITY. The song is about romantic tension, and while we love the way it sounds on TRINITY, we wanted to spend some more time with it again in order to make the sonic design match the sentiment we’d not previously attached to the song. This new incarnation is lush, filled with string pads, additional harmonies, and Kathryn killing it on the cello.

Poison in the Water

“Poison in the Water”, another one of the revisited TRINITY tracks, was written during a time when our personal realities extended outside of ourselves, encompassing a feeling of creeping dread that was more environmental than individualized. The song is subtle but politically motivated. Whatever dread we were feeling then — it’s amplified now. Immensely. The song has grown in relevance for us, so we figured it made sense to sit with it a bit longer. This is a new chapter of the song that morphs our circumstantial perception in tandem with the vibe of the song.

Unclean

We wrote “Unclean” a little while ago with our dear friend Zac Poor. Writing songs with somebody else is always such an interesting experience, especially when a song reckons with deeply emotional and vulnerable sentiments. It’s funny — or maybe funny isn’t the right word — how some experiences can feel so earth-shatteringly intimate and yet be so universally relevant. “Unclean” was a practice in expressing truth without flourish. It’s so much harder to be honest without romanticized padding. It hurts a bit more that way.

Closer to You

We really took the opportunity with this track to reimagine the arrangement and production, finding new ways to create loops and percussion. As musicians with little experience drumming, it was quite a process of trial and error to find percussive sounds that sat well in the track. From samples of paper smacked against a wall and various recordings of feet and hands banging on tables and floors, we built a belly of sounds that we think bring a more raw energy to the song. From that same resourceful creative space, we experimented with different recording techniques for the strings and ambient noises that weave throughout the track.

Dawn

Parents always say they can’t pick favorites, but “Dawn” is our little darling for the moment. The song handles the vulnerability that is forced upon women. Society is deeply conditioned to victimize women, making it easy for abuse of any kind — be it emotional or physical — to become internalized. “Dawn” is a song about community as a form of healing, and is meant as an outward and inward leaning embrace full of support, patience, and understanding. 

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In Bloom Acoustic EP - VON GREY

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📸 © Allister Ann

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Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com