Debut, Interviews, MusicNovember 12, 2020<November 12, 2020 Interview: Feeling Dominated by Our Devices with Kidgloves’ “Satellite” by Chloe Robinson
Breaking the Record, Columns, MusicNovember 12, 2020<November 12, 2020 Breaking the Record with Roan Yellowthorn, Part 40: Part 2 by Guest Writer
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020 “Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’ by Mitch Mosk
Music, ReviewsNovember 12, 2020<November 12, 2020 Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’ by Atwood Magazine Staff
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020 Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP by Mitch Mosk
Music, PremieresNovember 12, 2020<November 12, 2020 Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue” by Mitch Mosk
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020 Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’ by Jordan Catagnus
Interviews, Music, PremieresNovember 12, 2020<November 12, 2020 Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone” by Bethan Harper