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Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”
Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”
Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite”
Features
Atwood Magazine’s Weekly Roundup: February 14, 2020
Valentine’s Day 2020: Songs of Love & Heartache
An Endless Night Through ‘Marigold’: A Conversation with Pinegrove
Interviews
Embracing the Future & Remembering the Past: A Conversation with Wild Nothing
The Lasting Impressions of Ephemeral Beauty: A Conversation with Rafiq Bhatia
An Endless Night Through ‘Marigold’: A Conversation with Pinegrove
Premieres
Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”
Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”
Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID
Columns
Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite”
Podcast: Tunes & Tumblers Celebrate Valentine’s Day Over Justin Timberlake’s Mid-’00s Classic ‘FutureSex/LoveSounds’
Atwood Magazine’s Weekly Roundup: February 14, 2020
Today’s Song
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Reviews
Open Yet Effervescent: The Big Moon’s ‘Walking Like We Do’ Is a Punk-Pop Panacea
Our Take: Andy Shauf Redefines the Songwriter on ‘The Neon Skyline’
Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise
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September 4, 2015
Atwood In Focus: September 4th New Music
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August 31, 2015
Accepting Fall Issue Submissions
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August 28, 2015
Atwood In Focus: August 28th New Music
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August 21, 2015
Atwood In Focus: August 21st New Music
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