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Features, Music, ReviewsNovember 17, 2017<November 17, 2017

A Decade Later: A Track-by-Track Review of Aly & AJ’s ‘Ten Years’

by Kelly Wynne

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“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”

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“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
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