Features, Interviews, Music April 15, 2020 April 14, 2020 Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash by Mitch Mosk
Columns, Music, Today's Song April 15, 2020 April 15, 2020 Today’s Song: Audri Asks for Shelter and Security on “Harbor Me” by Tim Horwood
Music, Premieres April 15, 2020 May 29, 2020 Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty by Mitch Mosk
Music, Premieres April 15, 2020 April 14, 2020 Premiere: Tomo’s Second Single “For None to See” Offers a Peaceful Perspective by Kelly McCafferty
8.1 Music, Our Take, Reviews April 14, 2020 December 15, 2020 Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’ by Josh Weiner
Features, Interviews, Music April 14, 2020 April 16, 2020 Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane by Tim Horwood
Columns, Debut, Music, Today's Song April 14, 2020 April 15, 2020 Today’s Song: Soft Plastics Play in Campy Fugue on “Rope off the Tigers” by Ben Niesen
Music, Premieres April 14, 2020 April 13, 2020 Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby” by Mitch Mosk
Editorials, Music April 13, 2020 April 26, 2020 Essay: CMJ, Amazing Radio, and Live (Music) in the Time of Coronavirus by Guest Writer
Interviews, Music April 13, 2020 April 13, 2020 Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation by Chloe Robinson
Columns, Music, Today's Song April 13, 2020 April 13, 2020 On “Think I’ll Stay,” Westerman Remains Relentlessly Surprising in the Face of Lyrical Melancholy by Tim Horwood
Columns, Music, Today's Song April 11, 2020 April 9, 2020 Today’s Song: Samuel Jack’s New Single “Gonna Be Alright” Shows Us the Light at the End of the Tunnel by Joe Beer
Columns, Features, Music, Weekly Roundup April 10, 2020 May 15, 2020 Atwood Magazine’s Weekly Roundup: April 10, 2020 by Staff
Music, Music Videos, Premieres April 10, 2020 April 10, 2020 Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis by Mitch Mosk
8.8 Music, Our Take, Reviews April 10, 2020 December 15, 2020 Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity by Harper Beattie
For the Love of Music
For the Love of Music
