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BANKS Fuck With Myself

BANKS © 2016

Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

by Regan Wojick

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Brand New

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”
Atwood Magazine’s Weekly Roundup: April 19, 2024

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Recent Posts

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm April 23, 2024
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache April 22, 2024
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ April 22, 2024
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound April 21, 2024
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” April 20, 2024
Atwood Magazine’s Weekly Roundup: April 19, 2024 April 19, 2024
Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound April 19, 2024
“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ April 19, 2024
Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” April 19, 2024

© Atwood Magazine 2023 For the Love of Music

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