Columns, Music, Today's SongApril 20, 2024<April 17, 2024 “Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” by Emily Frances Algar
Columns, Music, Today's SongApril 12, 2024<April 12, 2024 Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’ by Emily Frances Algar
6.4 Music, Our Take, ReviewsApril 10, 2024<April 10, 2024 Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country by Sam Franzini
Features, Music, ReviewsApril 4, 2024<April 4, 2024 Roundtable Discussion: A Review of Beyoncé’s ‘Cowboy Carter’ by Atwood Magazine Staff
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024 Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP by Lauren Hicks
Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023 Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All” by Kendall Graham
Features, Interviews, MusicOctober 6, 2023<October 10, 2023 A Musical Rebirth: Colbie Caillat Talks New Album ‘Along the Way,’ Nashville, and Being a Woman in the Music Industry Today by Emily Frances Algar
Features, Interviews, MusicAugust 25, 2023<August 25, 2023 Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music by Christopher Snyder
Music, ReviewsApril 14, 2023<April 30, 2023 ‘High & Low’ and Everything In-Between: Caitlyn Smith Journeys Through Darkness & Light on Self-Produced Third Album by Emily Frances Algar
Columns, Music, Today's SongFebruary 28, 2023<February 28, 2023 Nashville’s Boys Club for Girls Debut with Passion & Pain on “Bad Luck Baby,” a Soulful Song of Self-Sabotage by Mitch Mosk
Features, Interviews, MusicSeptember 15, 2022<March 11, 2023 “An Open Heart”: Kelsea Ballerini on Finding Herself and Her Voice on New Album, ‘SUBJECT TO CHANGE’ by Emily Frances Algar
Music, ReviewsAugust 30, 2022<August 30, 2022 Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’ by Chloe Robinson
8.2 Debut, Music, Our Take, ReviewsJune 13, 2022<June 13, 2022 Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’ by Emily Frances Algar
Columns, Music, Pride MonthJune 1, 2022<June 1, 2022 Essay: Brandon Stansell Reflects on His Own “Wild Ride” for Pride Month by Guest Writer
Features, Interviews, MusicApril 7, 2022<March 11, 2024 Breaking Down Barriers in Country Music: Caitlyn Smith on Self-Producing New Album ‘High’ & Why Country Music Needs More Women Producers by Emily Frances Algar