7.1 Debut, Music, Our Take, Reviews August 19, 2019 December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
9 Debut, Music, Our Take, Premieres August 15, 2019 December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
Debut, Music, Reviews August 12, 2019 August 12, 2019 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
Debut, Music, Reviews August 9, 2019 August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
Debut, Music, Reviews April 29, 2019 April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Francesca Rose
Debut, Music, Reviews March 22, 2019 March 22, 2019 Review: Kevin Garrett Enchants with Memorable & Affecting Debut ‘Hoax’ by Luke Pettican
Debut, Features, Music, Our Take March 8, 2019 March 8, 2019 Our Take: Sigrid Delivers a Knockout Debut with ‘Sucker Punch’ by Luke Pettican
Debut, Music, Reviews February 25, 2019 February 25, 2019 Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’ by Oliver Crook
Debut, Features, Music, Our Take, Reviews January 31, 2019 January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
Debut, Features, Music, Reviews January 18, 2019 January 29, 2019 Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review by Francesca Rose
Debut, Music, Our Take, Reviews November 29, 2018 November 29, 2018 Our Take: Foxwarren’s Self-Titled Album Cements Them as Kings in the Indie Rock Scene by Adrian Vargas
Debut, Features, Music, Our Take, Reviews August 23, 2018 August 24, 2018 Our Take: Joey Dosik’s Impeccably Stylized Debut ‘Inside Voice’ Hits All of the Right Notes by Adrian Vargas