7.1 Music, Our Take, ReviewsApril 26, 2023<April 30, 2023 Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS by Julia Dzurillay
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023 Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023 Love, Hate, & Confusion: Brisbane’s King Ivy Stuns, Stirs, and Soars on Soulful Debut EP ‘Brown’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 30, 2023<April 30, 2023 Feature: Knox’s Debut EP ‘How to Lose a Girl in 7 Songs’ Is a Passion-Fueled Pop/Rock Frenzy by Mitch Mosk
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023 “I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023 “Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’ by Mitch Mosk
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023 Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity by Claire Meyer
Debut, Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023 Nostalgic, Anxious, & Exhilarating: Stockholm’s Girl Scout Celebrate the Struggle in Debut EP ‘Real Life Human Garbage’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2023<February 16, 2023 Feature: Slow Fiction’s Dreamy & Raw Debut EP Will Have You Dancing While Crying by Mitch Mosk
Debut, Features, Interviews, MusicNovember 8, 2022<November 2, 2022 Interview: Emei Releases Debut EP, ‘End of an Era’ — But This Is Just the Beginning by Sophie Severs
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2022<April 2, 2023 “I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022 Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut by Mitch Mosk
Debut, Features, Interviews, MusicOctober 17, 2022<January 12, 2023 Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’ by Mitch Mosk
Artist to Watch, Debut, Features, Interviews, MusicSeptember 22, 2022<November 11, 2022 “Where the Horror Meets the Healing”: A Conversation with London Indie Rock Trio Slaney Bay by Mitch Mosk
Interviews, MusicSeptember 8, 2022<September 8, 2022 Interview: Indie Pop Artist mine Flourishes in Her Vibrant & Vulnerable Debut EP, ‘Bloom!’ by Chloe Robinson