Debut, Features, Interviews, Music, PremieresMay 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
Debut, Music, PremieresMay 16, 2019<May 16, 2019 EP Premiere: The Cathartic Therapy of ATUSJI’s Debut ‘SOAPBOX VOL 1’ by Mitch Mosk
Debut, Music, PremieresMay 10, 2019<May 10, 2019 Premiere: Holdan Debuts Dreamy “Foggy Lake” with Atmospheric Excellence by Mitch Mosk
Debut, Music, PremieresMay 9, 2019<May 9, 2019 Premiere: Cancer, Coping, and Catharsis in Noah Dane’s Stirring Debut “There Goes” by Mitch Mosk
Debut, Interviews, MusicMay 7, 2019<May 8, 2019 Interview: LANTA Astonishes with the Poignantly Touching “Worthy” by Luke Pettican
Debut, Features, Interviews, MusicMay 3, 2019<May 3, 2019 Feature: Getting to the Truth in Kevin Garrett’s ‘HOAX’ by Luke Pettican
Debut, Music, PremieresMay 2, 2019<November 12, 2020 Premiere: Curli. Makes a Splash in Debut Single “worth” by Lindsay Call
Debut, Music, PremieresApril 30, 2019<April 30, 2019 Premiere: Cosmo Gold’s Swirly, Cosmic Debut “Dark Matter” by Mariel Fechik
Debut, Music, ReviewsApril 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Francesca Rose
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019 Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer” by Meredith Nardino
Debut, Music, PremieresApril 18, 2019<April 18, 2019 Premiere: Roken Basks in Sweet Seclusion on Debut “Comfortable” by Mitch Mosk
Debut, Music, ReviewsApril 16, 2019<April 16, 2019 EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff by Carolyn Fasone
Debut, Music, PremieresApril 15, 2019<April 15, 2019 Premiere: Mia Schuster Takes Flight in Debut “Land” by Mitch Mosk
Debut, Features, Music, ReviewsApril 12, 2019<April 12, 2019 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff