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Distinct

No Kind of Rider © 2017

Debut, Music, Premieres November 21, 2017

Premiere: Love Flows in No Kind of Rider’s Evocative Debut “Distinct”

By Mitch Mosk

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Brand New

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’
This Just In: Glass Animals Turn Up the Heat in “Your Love (Déjà Vu),” a Passionate Return
Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’
Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley”
Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”
Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman
Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

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Atwood is a digital platform that seeks out visionary artists and fresh voices with the goal of promoting the arts. The Atwood team is made up of individuals from all over the world that are passionate about art and innovation. We aim to showcase not only incredible creation, but also the stories behind them.

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Recent Posts

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’ February 19, 2020
This Just In: Glass Animals Turn Up the Heat in “Your Love (Déjà Vu),” a Passionate Return February 19, 2020
Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’ February 19, 2020
Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley” February 19, 2020
Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim” February 19, 2020
Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman February 18, 2020
Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’ February 18, 2020
On Intent and Isolation: A Conversation with Post Animal February 18, 2020
Today’s Song: Brother Moses Wonders What It Takes to Be Wanted February 18, 2020
Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil” February 17, 2020

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