Music, PremieresApril 12, 2018<April 12, 2018 Premiere: “Fragile,” Luxtides’ Break from Delicacy by Maggie McHale
Music, Music Videos, PremieresApril 12, 2018<April 12, 2018 Premiere: It’s a “Long Way Down” in Taylor Phelan’s Anthemic Life Lesson by Mitch Mosk
Music, Music Videos, PremieresApril 12, 2018<April 11, 2018 Video Premiere: Kate Faust’s “Trouble” Finds Power in Women and Warning by Kelly Wynne
Music, Music Videos, PremieresApril 12, 2018<April 12, 2018 Premiere: Alae Get Groovy on Love-Fueled Single “Stone Cold” by Natalie Harmsen
Music, PremieresApril 11, 2018<April 11, 2018 Premiere: Indulging in Only Bricks’ Sunny Anthem “(Your Love Gets Me) High” by Mitch Mosk
Music, Music Videos, PremieresApril 11, 2018<April 11, 2018 Premiere: Ecstatic Union’s “Desert Queen” Video Is Made of Pure Love and Joy by Carolyn Fasone
Music, Music Videos, PremieresApril 10, 2018<April 10, 2018 Premiere: Avantist Condemn Hypocrisy in “Red Bible” Video by James Crowley
Debut, Music, PremieresApril 10, 2018<April 10, 2018 Premiere: Lynda Indulge in Heartache on Debut Single “UFO” by Mitch Mosk
Music, Music Videos, PremieresApril 10, 2018<April 10, 2018 Video Premiere: Dancing Above the Welkin in SEAWAVES’ Dulcet “Apollo” by Adrian Vargas
Music, PremieresApril 10, 2018<April 12, 2018 Premiere: Finding Inspiration in Megan Lara Mae’s Spirited Anthem “Caribou” by Mitch Mosk
Music, Music Videos, PremieresApril 9, 2018<April 10, 2018 Premiere: Dwell in the Warm Embrace of Yoste’s “Arc” (stripped) by Mitch Mosk
Music, PremieresApril 6, 2018<April 6, 2018 Premiere: TIME’S UP for Predators in Dana and the Wolf’s “Modern Midas” by Mitch Mosk
Music, PremieresApril 6, 2018<April 6, 2018 Premiere: Jenny March’s Carefree “Talk to Me” Captures Everything Pop with a Twist by Monica Mellon
Debut, Music, Premieres, ReviewsApril 5, 2018<April 5, 2018 Album Premiere: Rich Girls’ Debut ‘Black City’ Is an Unforgiving Defiance by Mitch Mosk
Music, PremieresApril 5, 2018<April 5, 2018 Premiere: Society of Broken Souls’ “Pretty” Is a Dark, Beautiful Commentary by Mitch Mosk