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FVLCRVM Meaning 2020

FVLCRVM

Music, PremieresApril 3, 2020<April 3, 2020

Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force

by Mitch Mosk

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Brand New

Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”
Today’s Song: The Enchanting Interior World of London Grammar’s “House”

:: discover something new ::

:: discover something new ::

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Recent Posts

Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction April 15, 2024
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family” April 14, 2024
Today’s Song: The Enchanting Interior World of London Grammar’s “House” April 13, 2024
Atwood Magazine’s Weekly Roundup: April 12, 2024 April 12, 2024
Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’ April 12, 2024
“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie April 12, 2024

© Atwood Magazine 2023 For the Love of Music

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