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Hangout at the Gallows song

God's Favorite Customer - Father John Misty

Features, Music, ReviewsJune 6, 2018<June 27, 2018

Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’

by Atwood Magazine Staff

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Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP

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Recent Posts

Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them April 18, 2024
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP April 18, 2024
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP April 18, 2024
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024

© Atwood Magazine 2023 For the Love of Music

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