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ialive I’ll Wait Forever album review

ialive 2020 music

Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre

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Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”
Atwood Magazine’s Weekly Roundup: April 19, 2024
Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

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Recent Posts

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache April 22, 2024
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ April 22, 2024
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound April 21, 2024
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” April 20, 2024
Atwood Magazine’s Weekly Roundup: April 19, 2024 April 19, 2024
Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound April 19, 2024
“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ April 19, 2024
Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” April 19, 2024
Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” April 19, 2024

© Atwood Magazine 2023 For the Love of Music

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