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Interviews, MusicJuly 20, 2020<July 20, 2020

Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah”

by Joe Beer

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“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction
Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change
Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

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Recent Posts

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction April 23, 2024
Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’ April 23, 2024
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change April 23, 2024
Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm April 23, 2024
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache April 22, 2024
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024
Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ April 22, 2024
Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound April 21, 2024
“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” April 20, 2024
Atwood Magazine’s Weekly Roundup: April 19, 2024 April 19, 2024

© Atwood Magazine 2023 For the Love of Music

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